9/5/2023 0 Comments Voxengo lf max punch gearslutz![]() Most great ideas are simple, and DDMF's Metaplugin is no exception. Try the demo and see for yourself! Martin Walker Granite is a great tool for the sound designer and composer alike. It's amazing what you can extract from well‑known WAV files. Moreover, while Granite is capable of glitchy beats and chaotic contortions, its engine has obviously been tailored to encourage very musical results, ranging from slowly evolving drones to new 'acoustic' instruments. Using Granite's real‑time feedback, I was able, for the first time, to guide the end result where I wanted it to go, rather than stumbling about in the dark by fiddling with controls to see what happened. Granular synthesis has previously offered me very satisfying results, but I've always found them rather unpredictable. However, for me, Granite's strongest feature is its informative graphical interface, with its moving display of the current grain area in your waveform, and even a tiny Grain Activity meter that shows the current amplitude of all 16 grains. This allows you to build up very complex, yet organic, sounds with loads of internal movement. You just click and drag your mouse button over the desired control to start recording these moves, and when you release the mouse button, all control automation is replayed, either in free‑running mode or retriggered at the start of each new MIDI note. What really sets Granite apart from the competition, in creative terms, is its ability to automate movements of the rotary grain or effect controls, and even the loop position. Most of these parameters also offer 'Cycle Modulators' that are similar to LFOs, offering various waveforms plus speed and depth sliders, but which alter parameter values in steps as each new grain is launched, providing a wide range of evolving and morphing possibilities that are somewhat different from the norm. Apart from those controls related to the grains themselves, such as Pitch, Density and playback Speed, two further pages offer compression, distortion, sample‑rate reduction, resonant filtering, simple EQ and reverb effects, for plenty of extra versatility, and all of these controls can be allocated to MIDI controllers for real‑time performance tweaks. The master output can either be a continuous drone or gated via a simple Attack/Release velocity‑sensitive envelope under MIDI control. To get started, you load a WAV or AIFF file into the main Waveform area, drag the two blue Loop Markers to define the area within which your 16 independent grains get selected, and then start tweaking the various playback controls in the four tabbed pages of controls beneath. Currently running on Windows XP, Vista or 7 in stand‑alone and VST Instrument versions, in both 32‑bit and 64‑bit formats (an OS X stand‑alone and Audio Units version will be out by the time you read this), Granite can be 'played' monophonically via a MIDI keyboard, while chords are played back as arpeggios. ![]() However, Granite from New Sonic Arts sticks out from the crowd by offering various unique features. Turning your audio files into a stream of short grains and replaying these in various ways is no longer novel, and granular synthesis can be found in many products, such as Camel Audio's Alchemy and NI's Reaktor, among others. This effect can be applied over a wide range of sound material: drum tracks, bass tracks, contemporary music mixes: rap, trance, club music also rock music can benefit from LF Max Punch's low-frequency enhancements.Published May 2011 New Sonic Arts Graniteįormats: PC & Mac stand‑alone, PC VST, Mac AU LF Max Punch first splits the broad-band signal into low- and high-frequency bands and then applies the aforementioned effects to the lower band only. Optional compression can then be applied to the resulting low-frequency sound. LF Max Punch plug-in dynamically emphasizes selected bass frequency band, applies a smooth saturation over it, and produces additional sub-harmonic content, with the ability to blend it with the original bass band sound. LF Max Punch provides a low-frequency effect specially designed for serious contemporary music producers offering them a convenient tool for applying a smooth punch and oomph to audio tracks and sounds. Voxengo LF Max Punch is a professional audio effect AU and VST plugin for music and sounds where low-frequency thump and punch are most welcome, and where distortion is applied specifically to bring the bass sound to life.
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